Beautiful and the damned book
The Beautiful and Damned | Book by F. Scott Fitzgerald | Official Publisher Page | Simon & SchusterLook Inside Reading Guide. Reading Guide. Aug 10, ISBN Feb 12, ISBN Feb 23, ISBN Aug 19, ISBN
The Beautiful and Damned Review - F Scott Fitzgerald
The Beautiful and Damned
The Beautiful and Damned , first published by Scribner's in , is F. Scott Fitzgerald 's second novel. The work generally is considered to be based on Fitzgerald's relationship and marriage with his wife Zelda Fitzgerald. The Beautiful and Damned tells the story of Anthony Patch, a s socialite and presumptive heir to a tycoon's fortune, and his courtship and relationship with his wife Gloria Gilbert. It describes his brief service in the Army during World War I, the couple's post-war partying life in New York, and his later alcoholism.
His reckless marriage to Gloria is fueled by alcohol and destroyed by greed. The Patches race through a series of alcohol-induced fiascoes——first in hilarity, then in despair. It signaled his maturity as a storyteller and confirmed his enormous talent as a novelist. Scott Fitzgerald was born in St. Paul, Minnesota, in That same year he married Zelda Sayre and for the next decade the couple lived in New York, Paris, and on the Riviera. He died at the age of forty-four while working on The Last Tycoon.
They marry and embark on a life of glittering parties, lavish expenditure and scandalous revelry. When the money dries up their marriage founders. In this wistful novel Fitzgerald portrays the decline of youthful promise with devastating clarity. F Scott Fitzgerald. Scott Fitzgerald is widely considered the poet laureate of the Jazz Age. An unfinished novel, The Last Tycoon, was published posthumously.
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The Beautiful and Damned F. Scott Fitzgerald Video Review
I have a suspicion—which I should hate to have to defend with concrete evidence—that a lot of people in the kindly but cool October of life are pointing to Mr. Scott Fitzgerald as the interpreter of the "younger generation," and are reading him as someone who understands what they do not quite understand nor altogether like, but which fascinates them as May will, I suppose, always fascinate October. They view with alarm this youth whose slogan seems to them to be Freedom is a Bonfire, Come and Jump into it; they recall the crude cruel frankness of our twenties, the young drinking or dancing couples going through the motions of pleasure with faces passionately meaningless; they ruefully, perhaps enviously, accept what they take to be Fitzgerald's testimony and say to themselves, a little too self-consciously perhaps, Blessed be the ugly, for they shall not live on the seamy side of Paradise. As a member of a generation which here chooses to remain nameless, I insist that Mr. Fitzgerald is not a witness, and not an interpreter. His novel may have a contemporary ring and contemporary furniture, but his story is an old one. So many people have read it—or are going to—that there is not much use in tracing its outline.