African american art a visual and cultural history pdf
Duke University Press - South of PicoAuthor: Kellie Jones. Quite simply, the history, not just of art in Los Angeles, but of modern American art generally will have to be reconceived on the basis of South of Pico and Now Dig This! Jones shows how these artists pushed against their own obliteration, and generated a zeal for change that would escalate into the s, s and beyond. But, more important, it's also a credible affirmation that from such sudden, painful movements something new and whole might yet be made. Valentine, Culture Type.
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African Americans and the Quest for Freedom. New York: Routledge, , p. ISBN Associating American and French scholarship, the collection combines several approaches, and perfectly embodies current trends in cultural history, with an emphasis on materiality. History helps to challenge collective amnesia, just as individual endeavors to make, and collect, cultural and artistic artefacts is a way of preserving memory. Another thread running through the volume is the historiography of African American history, as the volume answers the call for a closer focus on Black historians sounded by historians such as John Ernest, Pero Gaglo Dagbovie, or earlier still, Benjamin Quarles.
In her first chapter, Farrington outlines fundamentals for evaluating a work of art; she defines primary and secondary source materials and explains themes such as iconography, formalism, biography, semiotics, psychoanalysis, and contextual analysis. This section provides important art-historical terms for students, as the study of African American art inevitably involves attention to identity politics and the historical and ongoing phenomena of race and racism, yet the subject also requires that students grasp fundamental methods for considering art and visual culture. Farrington highlights Colonial-era and Federal-period architecture and design in chapters 2 and 3, exploring the larger context in which Africans found themselves in North America. She begins with the history of the Middle Passage, delves into the artistic knowledge Africans brought with them, and then describes the possibilities for artistic production by enslaved and free laborers. These chapters investigate architectural structures, musical instruments, earthenware, metalwork, woodwork, and other forms of craftsmanship.