The plain and simple guide to music publishing free pdf

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the plain and simple guide to music publishing free pdf

The Best Music Business and Industry Books: What You Need to Know

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Published 24.12.2018

How to Start A Music Publishing Company

Before publishing the first edition of The Plain And Simple Guide To Music Publishing, Wixen established himself as one of the most respected.

The Plain & Simple Guide to Music Publishing: Foreword by Tom Petty

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Streaming Royalties VS. Publishing Royalties + PRO VS. Publishing Administrator

To plan your efforts and make good decisions while avoiding detrimental ones, you need knowledge. Where does that knowledge come from? Most people in the music industry just get it from others. Some of these are written specifically for artists and industry people, others are written for a wider audience… but the information inside them is applicable to building your artist career. For more than twenty years, this book has been universally regarded as the definitive guide to the music industry. He offers timely, authoritative information including: how to select and hire a winning team of advisors and structure their commissions and fees; navigate the ins and outs of record deals, songwriting, publishing, and copyrights; maximize concert, touring, and merchandising deals; understand the digital streaming services; and how to take a comprehensive look at the rapidly transforming landscape of the music business as a whole.

What is already regarded as the definitive publication on the ever-changing music industry landscape, the book has been updated to address new topics such as the value of music how and why streaming yields so little income to content creators , monetizing YouTube, the difficulty of calculating and verifying new statutory streaming rates, access vs. Chapter 1 is presented below with a foreword by Tom Petty. In the early '70s my bandmates and I arrived in Los Angeles, fresh and green, and within days of shopping our demo tape up and down Sunset Boulevard we were offered deals with three different big-time record labels. Just old enough to get ourselves into some real legal trouble, my pals and I went for the deal with the most money up front. No small sum to us in those days, plus there was talk of buying us new amplifiers, and oh, first we had to sign something called a publishing agreement.

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